’You never knew what you were going to be confronted with when you went on Later…’ Nick Cave ‘Later… is a voyage of discovery for us as well as the viewers’ Dave Grohl Dave Grohl and Alicia Keys loved it, Björk treasured it, Ed Sheeran’s life was changed by it, Kano felt at home while Nick Cave was horrified but inspired, and they all kept coming back. This first-hand account of the BBC’s Later… with Jools Holland takes you behind the scenes of one of the world’s great musical meeting places. Legends including Sir Paul McCartney, Mary J. Blige and David Bowie found a regular welcome, alongside the next generation of superstars including Adele, Ed Sheeran and Amy Winehouse. Part of what has made the show so special is the format – all those bands, singers, stars and newbies brought together to listen as well as to perform in Jools’ circle of dreams. But there’s always been plenty of mayhem alongside the magic of convening a room full of musicians hosted by one of their own. Written by the show’s co-creator and 26-year showrunner, music journalist Mark Cooper, this is the story of how Later… grew into a musical and TV institution. It was Mark who had to explain to Jay-Z why he couldn’t just do his numbers and split, who told Seasick Steve why he had to play ‘Dog House Boogie’ on the Hootenanny and persuaded Johnny Cash that he simply had to come in, even when The Man in Black wasn’t feeling well. From Stormzy to Björk, from Smokey Robinson to Norah Jones, from Britpop to trip hop, here is the word on how Later… began, evolved and has endured, accompanied by exclusive interviews with some of the show’s regular stars as well as the unique pictorial record of Andre Csillag who photographed the show for over 20 years. A must-read for music fans everywhere, Later… with Jools Hollandpulls back the curtain on classic performances to reveal that the show is just as magical, if even more chaotic, than you imagined.

’You never knew what you were going to be confronted with when you went on Later…’ Nick Cave ‘Later… is a voyage of discovery for us as well as the viewers’ Dave Grohl Dave Grohl and Alicia Keys loved it, Björk treasured it, Ed Sheeran’s life was changed by it, Kano felt at home while Nick Cave was horrified but inspired, and they all kept coming back. This first-hand account of the BBC’s Later… with Jools Holland takes you behind the scenes of one of the world’s great musical meeting places. Legends including Sir Paul McCartney, Mary J. Blige and David Bowie found a regular welcome, alongside the next generation of superstars including Adele, Ed Sheeran and Amy Winehouse. Part of what has made the show so special is the format – all those bands, singers, stars and newbies brought together to listen as well as to perform in Jools’ circle of dreams. But there’s always been plenty of mayhem alongside the magic of convening a room full of musicians hosted by one of their own. Written by the show’s co-creator and 26-year showrunner, music journalist Mark Cooper, this is the story of how Later… grew into a musical and TV institution. It was Mark who had to explain to Jay-Z why he couldn’t just do his numbers and split, who told Seasick Steve why he had to play ‘Dog House Boogie’ on the Hootenanny and persuaded Johnny Cash that he simply had to come in, even when The Man in Black wasn’t feeling well. From Stormzy to Björk, from Smokey Robinson to Norah Jones, from Britpop to trip hop, here is the word on how Later… began, evolved and has endured, accompanied by exclusive interviews with some of the show’s regular stars as well as the unique pictorial record of Andre Csillag who photographed the show for over 20 years. A must-read for music fans everywhere, Later… with Jools Hollandpulls back the curtain on classic performances to reveal that the show is just as magical, if even more chaotic, than you imagined.

The assassination of Sadat brings to an end another era in Egyptian history. This book examines the crucial issues in the transformation of Egypt in the period between the death of Nasser and the murder of Sadat. Focusing on the upheavals in the Egyptian political and economic structure over the last twenty years, the book explains the change in Egypt's international orientation through a careful examination of domestic factors. The switch from Nasser's state socialist-political economy to Sadat's more laissez-faire approach and the institutional and structural links between the two are analysed as the key to understanding the dynamic developments within Egypt. The book argues that the propagation of a new political economy was the primary basis of Sadat's ability to remain in power, while the weaknesses in that economy drove Sadat to seek external solutions and ultimately undermined his domestic support. His conduct of the 1973 war, his trip to Jerusalem, his enthusiasm for the United States and his whole perception of Middle Eastern affairs must be seen in terms of his domestic policies and internal troubles. First published 1982.

The assassination of Sadat brings to an end another era in Egyptian history. This book examines the crucial issues in the transformation of Egypt in the period between the death of Nasser and the murder of Sadat. Focusing on the upheavals in the Egyptian political and economic structure over the last twenty years, the book explains the change in Egypt's international orientation through a careful examination of domestic factors. The switch from Nasser's state socialist-political economy to Sadat's more laissez-faire approach and the institutional and structural links between the two are analysed as the key to understanding the dynamic developments within Egypt. The book argues that the propagation of a new political economy was the primary basis of Sadat's ability to remain in power, while the weaknesses in that economy drove Sadat to seek external solutions and ultimately undermined his domestic support. His conduct of the 1973 war, his trip to Jerusalem, his enthusiasm for the United States and his whole perception of Middle Eastern affairs must be seen in terms of his domestic policies and internal troubles. First published 1982.

Baseball and board game collectors alike will be thrilled with this wonderful new book. Illustrated in full-color, it contains nearly every baseball board or table game produced from the 1860s to the 1960s. With the games reflecting the evolution of the National Pastime, this is a visual history of the game. Information about the games is included in accurate captions, and the context for the games in the history of the professional game is provided by the helpful text. There is a wealth of information for collectors, including tips on the dating of games and rating their condition. There is also a price guide to help the collector assess a fair value for the games. All in all this is an important new book for collectors and historians of the game. In a time when board games are giving way to the fast pace of computers, this is a delightful reminder of simpler times. All in all, this is an important new book for collectors and historians of the game. In a time when board games are giving way to the fast pace of computers, this is a delightful reminder of simpler times.Memorabilia from the National Pastime, also published by Schiffer Publishing.

Plant Adaptation and Crop Improvement focuses on the opportunities for increasing the efficiency of crop improvement by understanding the basis of variation for plant adaptation in agricultural production systems. Crop improvement strategies based on combinations of the statistical modelling methodologies used by plant breeders and the crop modelling methodologies used by crop physiologists/agronomists are developed and discussed. The book captures much of the experience of scientists from around the world who have worked on the challenging problem of achieving crop improvement in variable crop production systems. It represents a major synthesis for workers in plant breeding, crop physiology and agronomy.

Artist Mark Cooper creates remarkable, collaborative art with children, and in this practical book of ideas he shows how it can be done anywhere, with amazing results. Drawing from his own work with classes around the country, Cooper shows how children can create art objects together, from decorated sculptures to billboards against violence to maps of the world. Children learn the way adult artists work--and about how democracy works--in planning, designing, and executing these large-scale works.
A bold, richly illustrated, practical book that offers a new way to think about making art with kids.
"Practical and revolutionary. Should be required reading for all elementary and secondary school teachers."
--John Laughton, composer, professor, and former dean, College of Visual and Performing Arts, University of Massachusetts, Dartmouth
"A highly innovative approach to a very modern and important subject. Cooper and Sjostrom have done an amazing job of making collaborative community art fun, instructive, and accessible. Every teacher, artist, or parent should have this book for their work with kids."
--Henry Horenstein, professor of photography, Rhode Island School of Design, author of Beyond Basic Photography
"A thought-provoking book, this volume will be a wonderful and useful resource for all parents, teachers and youth leaders. The authors do a tremendous job of making these large-scale projects seem very doable. Even teachers without any art experience or knowledge will come away feeling empowered that they can tackle what is described in this book....This resource explains the power of collaborating with youth while providing wonderful details on brainstorming, funding, making and displaying powerful pieces of art."
--Voices of Youth Advocates, review in the February 2007 issue
Mark Cooper is professor of art at the School of the Museum of Fine Arts, Boston, and at Boston College. His solo work has been exhibited in prestigious galleries and museums, and his collaborative work with children has been displayed in the Whitney Museum in New York, the Museum of Fine Arts, Boston, and many other venues.

Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. "Flickers of Desire" explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society.